B flat augmented triad9/22/2023 ![]() If, for example, you were in the key of F major, and the chord was C E G#moving to an F major triad, you would call the first chord a C augmented triad, rooted on the dominant, a chord acting as a dominant. We can make the same observation about augmented triads. The former is a pre-dominant chord, while the later is a dominant chord. The more obvious case is the German augmented sixth chord being enharmonically the same as a root position dominant seventh chord, but functionally the chord or very different. When you get into chord spellings and enharmonic equivalence, you should not just say it's all the same. It is a major third and a diminished fourth, which enharmonically is the same as a major third.Į G# C is not an E augmented triad, E G# B# is an E augmented triad. ![]() The inversions of an augmented triad are symmetrical, meaning the relative intervals of each inversion are the same, at least enharmonically.īut, technically, E G# C is not two stacked major thirds.
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